Jonathan B. Edvane · Rejected work
This page is a resting place for my own work. Work I do not plan to submit further or publish elsewhere and which has been rejected by one or more platforms or publications. The rejection of a work is most often a private business. We want to keep it quiet and the person whose name is on the rejection assumes it will be unseen. I have been successfully published a number of times, and I talk about that when it happens, but I have been rejected much more. My view is that those passes must be claimed and owned by all involved. So I present them here, as and when they arise, and let my own audience be the judge.
The Returned — Full Theme
Submitted to the Three Ravens Podcast Ghost Story Writing Competition 2026, under the theme Ghosts of Sacred Spaces. A country rector lifts a Saxon stone beneath the chancel floor and disturbs something older than the chapel above it. No notification received.
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Written for Pacific Northwest Gothic. A story set in 1890s Seattle, built on the true history of the Great Fire and the buried city beneath Pioneer Square. The right register, but a publication that serves its own community of writers first.
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Written for the Folklore issue of IONTAS Magazine. An English writer telling a story about Magdalene Laundries, and an Irish editor with five hundred submissions to choose from. A piece that needed more room than a thousand words allowed.
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A disgraced physician takes work as an orderly in a provincial asylum, where a patient diagnosed with religious mania describes something that resists every medical category. A north of England asylum tale that needed more room to breathe than 3,000 words allowed.
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Written for the New Flash Fiction Review from a photograph prompt of a mannequin head on an outdoor table. A narrator who can only watch, cataloguing the habits of passersby through the gaps in a wooden fence, waiting with a patience that reveals itself in the final line.
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A Welsh boy sees a flame pass his window in a Pennsylvania coal settlement. He knows what it means. His mother knows too. His father, a chapel man in America, refuses the old country and leads his sons to the morning shift.
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